A dust-coloured arcade for a sixteen-page fashion story, built in six days and lit entirely by one window.
Editorial, Vogue Africa, 2025
The brief was the dry season indoors. We built three plaster arches from salvaged doors and let the afternoon light do the rest.
Everything in frame was sourced within two kilometres of the studio.
Production design for a chamber drama set in a single rented room over one long night.
Feature film, 2024
Two arches and a tide line. A set that floods by a centimetre each act.
Stage, Terra Kulture, 2024
A red chair, a green wall and a lot of waiting.
Short film, 2023
Four windows for a Lagos concept store, changed with the light every season.
Retail windows, Alara, 2022
Twelve years designing for theatre, film and editorial. I trained as an architect, which is why my sets tend to be buildable before they are beautiful.
I work from a small studio in Yaba with two carpenters and a scenic painter, and travel for productions across West Africa and Europe.
2018–Present
2015–2018
2013–2015
Set design / Art direction / Scenic construction / Prop sourcing / Lighting studies